Event Photography Tips: A growing number of amateur photographers are finding ways to make some extra cash to help pay for their hobby. This means the camera isn't getting enough light to focus with because the aperture blades 'at rest' don't provide a big enough hole to capture all the available light and, similarly, it's struggling to make use of the light you do have when it comes to making the exposure.
Wedding Photography Tips - What the Pros Do - Presents wedding photography tips for photographers looking to excel at wedding photography and produce extraordinary, professional quality results. This image of lifeguards receiving final instructions was done with available light at ISO 1250 on a Canon 6D with the 16 - 35 at 2.8 1/40 sec. A lens like the Sigma 17-50 f/2.8 EX DC OS HSM will give you a nice zoom range and the ability to take pictures in low light. Next, you want to set your camera to manual, put the ISO at something speedy but not too noisy (with my Fuji that was ISO400-800, with the Sigma's I could never go above ISO100 but with my Canon 5D MkII, anything between ISO200-1240 is fine. Rear curtain sync tends to give a faint image trail and a tack-sharp main subject, whereas front curtain sync tends light up the main subject and acquire the ambient light.
I always have my Canon 50mm f/1.8 II with me. It is a small lens that performs very well in low light and its focal length is great for taking group shots and portraits of event attendees. The VR and IS lenses are the best choice for low light situations providing forgiveness for shake due to low shutter speed. If you get some good photographs, you will be able to use them in your event photography portfolio. Even though this blog is two years old and I pretty much and dug it up from the past it is an excellent read and I really enjoyed it. Unfortunately I only got to item number (6) flash photography tips. To do this, have the camera set up as you want it on 'manual', go into the camera settings and register the settings to a particular custom mode. Social networks and search engines have become tools every bit as important to the event photographer as fast lenses and full-frame sensors.
One of the most important things you need to do before shooting a large event is to elminate the unknown. If you ever have the opportunity to second-shoot an event for someone with more experience, DO IT. Ask questions, learn by example, and make a new friend in the industry. At a distance, even fill flash drains batteries rapidly, and you don't want to be changing them while also being jostled by the crowd or wrangled by the authorities. Just set your camera on TTL mode and you should be good to go for the most part.
First, you're going to want to shoot in RAW If you are shooting an event where timing is more important than image flexibility, and you have to get your photos up as fast as possible, then RAW+JPEG is a good option, but I would definitely advise you shoot in RAW so you can fix your white balance after the fact.
I read all comments and saw, that some photographer had problems with autofocus and flashgun infra red light, so, I found, that in my camera exposure manual mode, I have to set autofocus mode to AF-A, then infra red light on my flash gun works nice and I had almost 99% of correctly focused pictures. see here